Sun, March 12, 2017 4:00 pm at Alwan for the Arts
Free and open to the public
Rehearsal of an exhibition. Time: 4-9 P.M.
The Rehearsal as an exhibition conception leaves the processes of art-making open to chance. To explore the indeterminacy and the process of the time-based form of the intervention—a form which rarely cuts into the history of a sheltered space — we invite artists to make a non-thematic exhibition. Bita Razavi, Tran Minh Duc, Aki Inomata, Shubho Saha, and Vahid Sharifian come together to foreground the art of a place. If Algebra was the paradigm of rationality that allowed Europe the possibility of secular pragmatism, let us imagine how Alwan allows the happening of a fluxus situation. What we ask here is ‘how do we bring the process-based, non-object-oriented practice of the intervention to bear on the market driven, object-oriented space of the NYC scene?’. ‘What curatorial urgency permits artists from Iran, Japan, Bangladesh, and Vietnam to present together in absence of any (apparent) shared material or conceptual concerns?’ We conspire an Open Rehearsal of an exhibition.
Sumesh Sharma(1983) is an Indian curator informed by alternate art histories, socio-economics and politics. Immigrant Culture in the Francophone, Vernacular Equalities, Movements of Black Consciousness in Culture are his areas of interest. He co-founded the Clark House Initiative, Bombay in 2010. His Masters in Research at the Universite Paul Cezanne (2008) was an Inquiry into Artist Careers, and he was part of the Gwangju Biennale Curators Course, 2010, as well as the first Independent Curators International's Curatorial Intensive in Bombay. He has been a resident at ISCP New York (2012), Kadist Art Foundation Paris (2013) and the Manifesta Online Residency (2013), Casa Masaccio Tuscany (2013), San Art - Ho Chin Minh City, Vietnam (2014), Para Site Hong Kong (2014). He is presently one of the curators of of Dak'Art 2016. He was ICI's 2014 Curatorial Fellow, in Senegal where he researched how the funding mechanisms in culture and institutional support of art institutions utilise the power structures put in place by colonial laws.
For artists information, see links below.
Tran Minh DucAki Inomata
Last updated: 2017-03-12 13:03:58
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