Sat, December 4, 2010 9:00 pm at Alwan for the Arts
George Ziadeh - Vocals and Oud
Zafer Tawil - Violin and Darbukkeh
Tareq Abboushi - Buzuq
Johnny Farraj - Riqq
Captivating singer George Ziadeh returns to Alwan with his ensemble, performing more timeless pieces from the golden age of Arab music, including Andalusian muwashshahat, Egyptian Adwaar, and the beloved songs of Umm Kulthoum.
Tickets: $15 available at the door or online here.
(A small service charge applies - use printout as your ticket.)
Doors open at 8:30 p.m.
About the Musicians
George Ziadeh was born and raised in Birzeit, Palestine, and pursued music from a young age. In 1986 he moved to the United States, where he studied ‘oud with Simon Shaheen and classical singing and voice with Youssef Kassab, with whom he has toured extensively across the country. George has performed and lectured with such ensembles and institutions as the University of Chicago’s Middle East Music Ensemble with Issa Boulos, the University of Colorado (Boulder), Alwan for the Arts, the United Nations (invited by Kofi Annan), and annually at the Columbia University Department of Ethnomusicology. In 2008, George was a featured solo and ensemble performer in the “Brooklyn Maqam” Festival of Arab Music. From 1995 to 1997 George taught at the Edward Said National Conservatory of Music in Ramallah and at Birzeit University. George is considered an authority in maqam and Arab classical repertoire.
Zafer Tawil is a virtuoso on ‘oud, violin, and qanun, and a master of Arab percussion. Zafer has performed in concerts across the country, including performances with numerous musicians ranging from Sting to Arab music virtuosos Chab Mami, Simon Shaheen, Bassam Saba and George Ziadeh, to avant-garde composer/ performer Elliot Sharpe. He was a featured composer and performer in acclaimed director Jonathan Demme's Oscar-nominated film Rachel Getting Married and is composing and performing for Demme’s next film project, Zeitoun, based on Dave Eggers’ book about Abdulrahman Zeitoun’s post-Hurricane Katrina odyssey. Zafer has worked on many collaboration concerts involving classical Indian and Persian music as well as Arab/jazz fusion. He has held workshops on Arab music at many institutions and universities across the United States. A native of East Jerusalem, he resides in New York City.
Tareq Abboushi is a multi-instrumentalist, bandleader, and graduate with honors from William Paterson University with a degree in Jazz Piano. Born and raised in Ramallah, he has played buzuq since 1997, and has performed with such notable musicians as Simon Shaheen, Omar Farouk Tekbilek, and Dan Zanes. His film work includes the award-winning Encounter Point (Best Musical Score, Bend Film Festival, 2006), as well as two films by Jonathan Demme: Jimmy Carter: Man From Plains and Rachel Getting Married. He has lectured and performed at Columbia University, NYU, Juilliard, Museum of the City of NY, the Children’s Museums of Brooklyn and Manhattan, and Alwan for the Arts, and last year taught Arab music at Agder University in Norway. His discography includes One with his band SHUSMO, Amir ElSaffar's Two Rivers and Dan Zanes’s Parades and Panoramas, House Party and Night Time!, winner of Amazon.com’s Best Children's CD (2002). Current projects include a new recording, Mumtastic, with SHUSMO.
Johnny Farraj studied the riq (Egyptian tambourine) and frame drum with Karim Nagi and Fairuz's percussionist Michel Merhej. He also studied the oud with Simon Shaheen and Bassam Saba, and classical Arabic singing with Rima Khcheich and Youssef Kassab. As a percussionist, he has performed with Simon Shaheen/Qantrara (Symphony Space) and Amir El-Saffar, and recorded on the soundtrack of the play "9 Parts of Desire" by Heather Raffo. Johnny has performed and given lecture demonstrations in universities and museums throughout the US and Canada, and has taken part in several fusion collaborations involving classical Indian, Persian and Jazz. Johnny annually attends the Arabic Music Retreat, and has created the maqamworld.com web site to teach classical Arabic music (maqam) theory.
Last updated: 2010-11-30 23:53:42
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